Post by rrtrt on Oct 21, 2023 5:39:54 GMT
Although the level of income that musicians receive from streaming remains low: conditionally, a Russian artist is paid multi-dollar if his track gets 10,000 streams. Globally, the music streaming model could finally end the image of the author, and creativity in the traditional sense. Composer Vladimir Martynov noted: Streaming services only complete the great process of the author's death, console in the last century. So, however, it would be ridiculous today to talk about the author, and the creativity that belongs to the author's narrative.
Of course, this does not mean that there will be no top stars and hot styles in the moible number data future. The image of the musician and his work will change: the main transformation takes place in his relationship with the audience from initially autonomous to initially dependent. At the same time, according to publicist and New Yorker Jess Clayton, the reason for the author's gradual departure from the music world is also that streaming media allows music itself to return to its natural state: The century we see in the century is strictly abnormal.
The fact that music had a physical form at that time was unusual throughout human history. Now it's out of order again because of streaming. Music has always had this inner drive to dematerialize that it cannot privatize. In essence, it's a slippery phenomenon, almost ghostly. So the streaming channel itself, originally designed to legitimize music streaming, seems to have inadvertently disrupted the old industrial model of the music world.
Of course, this does not mean that there will be no top stars and hot styles in the moible number data future. The image of the musician and his work will change: the main transformation takes place in his relationship with the audience from initially autonomous to initially dependent. At the same time, according to publicist and New Yorker Jess Clayton, the reason for the author's gradual departure from the music world is also that streaming media allows music itself to return to its natural state: The century we see in the century is strictly abnormal.
The fact that music had a physical form at that time was unusual throughout human history. Now it's out of order again because of streaming. Music has always had this inner drive to dematerialize that it cannot privatize. In essence, it's a slippery phenomenon, almost ghostly. So the streaming channel itself, originally designed to legitimize music streaming, seems to have inadvertently disrupted the old industrial model of the music world.